A set of 5 pairs of embossed leather horse-blinkers.
Installation view, Gussglashalle, Berlin, 2018.
Installation view, Istituto Svizzero di Roma, 2017. (Photographed by OKNO)
Ink-stamped prints on paper, 50cm x 60cm each.
Installation view, Careva Contemporary, Riga, 2018. (Photographed by Ansis Starks)
Three copies of a photograph of the Papal Swiss Guard armour.
Installation view, Istituto Svizzero di Roma, 2017. (Photographed by Simon d'Exea)
Exhibition views, L'UOMO VAGUE at kim?, Riga, 2016. Photography by Ansis Starks.
A series of photographs of a hand holding a wine-glass with digital finger-marks.
Digital silver gelatin prints, 50cm x 34.66cm, 2016
Drinking a Burgunder and eating chips on the roof-top of the Hôtel Raphael in Paris at sunset, looking at passing airplanes and thinking about where to wipe your fingers whilst trying to look serious.
Or maybe this is in the “Bord-Bistro” on a train, towards the end of the night, on the way from one castle to another, somewhere deep in the Swabian hinterlands.
Unless it is Saturday afternoon and you are on the terrace of the Kleinmarkthalle in Frankfurt, squeezing through groups of annoyingly cheerful wine-enthusiasts in Vichy-patterned shirts and cable-knit sweaters.
It could also be that you are standing on the set of some “camp-noir” musical, stroking your champagne chin and attempting not to fall flat on your face on some faux-marble, or maybe into a trap of hyperurbanism, whilst trying much too hard to do everything correctly and impress with your knowledge of the rules."
“Anybody with their nose pressed against a glass is liable to look stupid”.
(Truman Capote, “Breakfast at Tiffany’s”)
Haute Collaboration - Edition Concorde, 2015
Indigo ink and printed text on vintage Smythson stationary for Concorde
Seven cards and envelopes, mounted and framed, 23cm x 29cm, original box, assorted objects
"Haute Collaboration - Edition Concorde", Rome 2015
Haute Collaboration, 2012
Ink and silkscreen on paper, 30cm x 40cm
“It’s A Beautiful Day for Haute Tra(s)hison”
Two ink drawings and a text as a contribution to Provence magazine issue E (2012)
"French Birds Love Pain" (with Anna Zacharoff) Flûte Douce, Frankfurt am Main, 2011