ABDICATION

A set of 5 pairs of embossed leather horse-blinkers.

Installation view, Gussglashalle, Berlin, 2018.

Installation view, Istituto Svizzero di Roma, 2017. (Photographed by OKNO)

TBITEITB

Ink-stamped prints on paper, 50cm x 60cm each.

Installation view, Careva Contemporary, Riga, 2018. (Photographed by Ansis Starks)

OFFICER MATERIAL

Three copies of a photograph of the Papal Swiss Guard armour.

Installation view, Istituto Svizzero di Roma, 2017. (Photographed by Simon d'Exea)

L'UOMO VAGUE

Exhibition views, L'UOMO VAGUE at kim?, Riga, 2016. Photography by Ansis Starks.

Edgars Gluhovs, L'UOMO VAGUE at kim?, Riga 2016
"Rappel à l'Ordre", silkscreen and marker pen on acrylic, 100cmx50cm each, 2015
Edgars Gluhovs, L'UOMO VAGUE at kim?, Riga 2016
Edgars Gluhovs, L'UOMO VAGUE at kim?, Riga 2016
Edgars Gluhovs, L'UOMO VAGUE at kim?, Riga 2016
Edgars Gluhovs, L'UOMO VAGUE at kim?, Riga 2016
Edgars Gluhovs, L'UOMO VAGUE at kim?, Riga 2016
Edgars Gluhovs, L'UOMO VAGUE at kim?, Riga 2016
Edgars Gluhovs, L'UOMO VAGUE at kim?, Riga 2016
Edgars Gluhovs, L'UOMO VAGUE at kim?, Riga 2016
Edgars Gluhovs, L'UOMO VAGUE at kim?, Riga 2016
"Comme il faut", a limited edition of 120 flip-books, 68 pages, 13cm x 6.8 cm each, 2016
Edgars Gluhovs, L'UOMO VAGUE at kim?, Riga 2016
"Birch Water" a limited edition of bottled birch-water, produced for kim? by Tobias Kaspar
Edgars Gluhovs, L'UOMO VAGUE at kim?, Riga 2016

BURGUNDERSZENE

A series of photographs of a hand holding a wine-glass with digital finger-marks.

Digital silver gelatin prints, 50cm x 34.66cm, 2016

 

"Possible scenarios:

Drinking a Burgunder and eating chips on the roof-top of the Hôtel Raphael in Paris at sunset, looking at passing airplanes and thinking about where to wipe your fingers whilst trying to look serious.

Or maybe this is in the “Bord-Bistro” on a train, towards the end of the night, on the way from one castle to another, somewhere deep in the Swabian hinterlands.

Unless it is Saturday afternoon and you are on the terrace of the Kleinmarkthalle in Frankfurt, squeezing through groups of annoyingly cheerful wine-enthusiasts in Vichy-patterned shirts and cable-knit sweaters.

It could also be that you are standing on the set of some “camp-noir” musical, stroking your champagne chin and attempting not to fall flat on your face on some faux-marble, or maybe into a trap of hyperurbanism, whilst trying much too hard to do everything correctly and impress with your knowledge of the rules."

 

“Anybody with their nose pressed against a glass is liable to look stupid”.

(Truman Capote, “Breakfast at Tiffany’s”) 

Installation view, Swiss Art Awards, Basel, 2016
Installation view, Swiss Art Awards, Basel, 2016

Haute Collaboration - Edition Concorde, 2015

Indigo ink and printed text on vintage Smythson stationary for Concorde

Seven cards and envelopes, mounted and framed, 23cm x 29cm, original box, assorted objects

"Haute Collaboration - Edition Concorde", Rome 2015
"Haute Collaboration - Edition Concorde", Rome 2015
"Haute Collaboration - Edition Concorde", Rome 2015
"Haute Collaboration - Edition Concorde", Rome 2015

"Haute Collaboration - Edition Concorde", Rome 2015

"Haute Collaboration - Edition Concorde", Rome 2015
"Haute Collaboration - Edition Concorde", Rome 2015
"Haute Collaboration - Edition Concorde", Rome 2015
"Haute Collaboration - Edition Concorde", Rome 2015
"Haute Collaboration - Edition Concorde", Rome 2015
"Haute Collaboration - Edition Concorde", Rome 2015
"Haute Collaboration - Edition Concorde", Rome 2015
"Haute Collaboration - Edition Concorde", Rome 2015

Haute Collaboration, 2012

Ink and silkscreen on paper, 30cm x 40cm

"Haute Collaboration", Frankfurt 2012
"Haute Collaboration", Frankfurt 2012
“Three Cheers to the Feet Under the Curtain” (with Timothy Furey), kim?, Riga 2013
“Three Cheers to the Feet Under the Curtain” (with Timothy Furey), kim?, Riga 2013
“Three Cheers to the Feet Under the Curtain” (with Timothy Furey), kim?, Riga 2013
“Three Cheers to the Feet Under the Curtain” (with Timothy Furey), kim?, Riga 2013
“Three Cheers to the Feet Under the Curtain” (with Timothy Furey), kim?, Riga 2013
“Three Cheers to the Feet Under the Curtain” (with Timothy Furey), kim?, Riga 2013
Vitrine by Egija Inzule for the exhibition “Three Cheers to the Feet Behind the Curtain.”, kim?, 2013
Vitrine by Egija Inzule for the exhibition “Three Cheers to the Feet Behind the Curtain.”, kim?, 2013

“It’s A Beautiful Day for Haute Tra(s)hison”

Two ink drawings and a text as a contribution to Provence magazine issue E (2012)

"French Birds Love Pain" (with Anna Zacharoff) Flûte Douce, Frankfurt am Main, 2011
"French Birds Love Pain" (with Anna Zacharoff) Flûte Douce, Frankfurt am Main, 2011

"French Birds Love Pain" (with Anna Zacharoff) Flûte Douce, Frankfurt am Main, 2011

“Lunchtime (Framboises au Sucre). A menu served to Raymond Roussel in autumn of 1926", C-type print, 2010
“Lunchtime (Framboises au Sucre). A menu served to Raymond Roussel in autumn of 1926", C-type print, 2010
“Lunchtime (Fruits de la Propriété)”. A menu served to Raymond Roussel in autumn of 1926", C-type print, 2010
“Lunchtime (Fruits de la Propriété)”. A menu served to Raymond Roussel in autumn of 1926", C-type print, 2010
“Untitled”, two identical framed C-type prints, 2008
“Untitled”, two identical framed C-type prints, 2008